![]() ![]() ![]() ![]() But this argument holds no water, since in every other way the film is conventional to the point of utter contempt. I argued that while PIXAR were pushing the envelope of what mainstream animation could achieve, Disney were aggressively re-treading old ground, "trying to push the same old stuff overlaid with snazzier visuals." Since the Disney empire diversified in the 1950s, the animation department has had to fight for power against the cash cows of theme parks and merchandising - and the success of these arms has often influenced the output of Disney's more creative elements.Īpologists may defend Atlantis as a break from the Disney norm of fairy tales and princesses. When I reviewed Treasure Planet three months ago, I drew a comparison between Disney and PIXAR in the early-2000s. Whichever approach one takes, Atlantis: The Lost Empire is not worthy of any recommendation, being one of the laziest animated films in recent memory. But either approach is infinitely preferable to the dim view that children are stupid enough to watch anything, and that a 'children's film' does not have to be as well-made as one intended for grown-ups. The other is to take a more moralistic view, imagining whether you would show a given film to your own children (real or hypothetical) on the basis of the messages or lessons that it contains.īoth approaches are problematic, insofar as they use adult language, knowledge and expectations of a medium to recommend something that was never intended for adults, at least not primarily. One is to review the film in question as first and foremost a piece of cinema, analysing its narrative and technical aspects and giving out recommendations on this basis. When reviewing children's films, there are two main approaches one can take. When a journal surfaces, an eccentric billionaire funds an expedition and the action shifts to high gear.ĭolby Stereo, Dolby A, SDDS, DTS, Surround, Dolby Digital, Dolby SR Fox), dreams of completing the quest begun by his late grandfather, a famous explorer. A naive-but-determined museum cartographer Milo Thatch (Michael J. ![]() An inexperienced young adventurer becomes the key to unraveling an ancient mystery when he joins up with a group of daredevil explorers to find the legendary lost empire of Atlantis. ![]()
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